About

I work as a visual artist and 3D artist at the intersection of landscape, digital space, and speculative imagery. My practice combines painting, drawing and computational processes to explore how perception, transformation, and emerging forms unfold.

I am particularly interested in the concept of the infinite—how structures, spaces, and images evolve from underlying systems. Mathematical thinking, especially formulas and abstract models, informs my work as a way to understand how complexity, repetition, and variation generate form.

My works move between analog traces and digital simulations, investigating how realities shift when constructed and observed simultaneously. Landscape becomes not only a subject, but a framework for thinking about space, scale, and emergence.

Alongside my artistic practice, I collaborate in project-based teams and develop inclusive workshop formats. My approach combines structured thinking with sensitive, process-oriented collaboration.

Long-distance running is part of my thinking: endurance, rhythm, and repetition shape both my physical experience and my artistic process.

My work is driven by curiosity for other disciplines, scientific perspectives, and speculative, science-fiction-informed visions.